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Tuesday, September 3, 2013

The 4Ps of Co-Consulting

... subheading, The Promise and the Practice


My colleague, Stan, and I have been working with two instructors to convert their face-to-face course to a blended course before it is fully delivered online. What makes this co-consulting distinctive in our case are the following key features:

1.    People

There are two consultants in this session interacting with two clients (at times 3!) in real time.   This entails a negotiation of roles and the values, beliefs and behaviors that come with the enactment of those roles.  I am an instructional designer and Stan is an instructional technologist. To some people, these two labels mean the same thing. Our job responsibilities overlap but our foci differ somewhat.  At the risk of oversimplification, Stan’s the technology guru and I’m the pedagogy pro. (In no way does this suggest Stan knows nothing about pedagogy or I’m a luddite.) We have interdependent roles.  

Our clients are passionate about their cause and course. They want to create the best educational experience possible for their students. The group culture is a highly motivating one.


2.    Promise


The promise of co-consulting is:

2 + 2  > 4

Our collaboration with our clients, who are subject matter experts, produces (we hope) a candescent synergy that does not come about through individual consulting.  Keith Sawyer (2007) calls it “group genius” or emergent creativity.

How to make this knowledge visible beyond our small group is something that is frequently on my mind. It will be the subject of another blogpost!


3.    Philosophy

Improvisation or “improv,” as the jazz greats call it, means we adapt spontaneously to our clients’ concerns about course design as the consultation unfolds. It’s a bottom-up approach driven by our clients' needs; nothing is scripted in advance between Stan and I or our clients and us.  Frequently, we cannot predict what design issues our clients might bring up.  Through the unique backgrounds we each have about learning and teaching, we turn tacit into explicit knowledge through our interactions. We co-construct knowledge at each encounter (virtual or in-person) as we externalize and internalize  ideas (Nonaka, 1998).


4.    Practice


Who speaks when, what and how are decisions we make on the fly as the project progresses.  Initially, I took the lead to provide some structure to the sessions. This practice was eliminated when it didn’t work well with our clients.  An increasingly improvisational approach to co-consulting was adopted when we became more familiar with our clients.

Clear and accurate communication is vital to productive consulting outcomes. They are not unique to co-consulting. However, expectations about communication involving 2 consultants are different. What is the protocol and when to speak respectfully without jeopardizing creativity is a process we learn to navigate during each session.

For me, it flows out of the respect for the tacit and explicit knowledge that we bring to our formal and informal consulting sessions.  I try to listen more than I speak. I let my clients’ fully express their thoughts before I comment. I am also not afraid to question to clarify ideas.

One dimension of Visible Thinking (Ritchart, 2002). Image copyright, Kreher, Y. W.
Documenting thinking is a routine act. I practice graphic facilitation during the process. I also capture thinking after each session. I do this not for the sake of recording my efforts. I believe in modeling effective pedagogical behaviors supported by research. I convey my beliefs about making thinking visible for learning engagement.  Modeling provides a bridge for the learner to move from surface to deep learning.

My role in co-consulting is fluid; I wear different hats at different times:

*Facilitator – group dynamics process expert
*Consultant – instructional design and technology content expert
*Coach – support client thinking
*Trainer – support client skills and knowledge development
*Leader – support group effectiveness by diagnosing and intervening in group processes
(Schwarz, Roger M., Davidson, Anne S., Carlson, Margaret S., & McKinney, Susanne C., 2005)

To conclude, four different people with different backgrounds and perspectives have the potential to produce magic. However, sometimes, differences made visible have the potential to derail productivity. This means all of us have to make some adjustments to self and others to foster the production of creative outcomes.

Saturday, May 11, 2013

How to Embed Wow Slider into a Blogger Post

I spent a good bit of last night trying to embed a Wow Slider series of images into this blog, by Blogger. So I am documenting how I finally got it to work -- to help anyone who might be looking for help like me. Wow Slider's FAQs were confusing and not much help for Blogger users. WordPress has a plugin but for Blogger users, things are less rosy.  I couldn't solve the problem despite pasting and repasting the codes and tweaking with it. Googling didn't produce many results. This afternoon, I thought through the steps again, and voila, I finally figured it out.

Here're the steps I took after uploading the folder of Wow Slider images I had published to my personal website. I'm going to use a bit of jargon to explain.

1. I used Filezilla and uploaded (FTP-ed) the slider of images I created onto my personal web space first. I could not find any other way that worked for me using the free Wow Slider software. Check that your gallery of images/project published correctly and you have a folder with Engine, Data and index.html files.

2. Log in to your Blogger dashboard.

3. On the left menu, click on Template, and on the screen, look for Edit HTML. Got it?

4. Now, go to your own webpage (or some webhost where you have transferred your Wow slider of images) where you had published your Wow Slider of images. It should read something like "http://yourname.com/wowfoldernameofimages/index.html" or some URL where you had uploaded your images.

5. Right-click on this index.html page to View Page Source. Select and copy the contents between [HEAD] and [/HEAD].

6. Go back to the Template > Edit HTML page with all the code. Insert and paste the contents from Step 3 just BEFORE the [/HEAD] text on your Blogger page. Be sure to Preview and backup your  template page somewhere first before you SAVE TEMPLATE.

7.  Now, look at the code carefully,

<link rel="stylesheet" type="text/css" href="engine1/style.css" /> <script type="text/javascript" src="engine1/jquery.js"></script>

BEFORE "engine1," insert your own webpage's direct link to the series of images, that is, as in what you did in Step 4, ""http://yourname.com/wowfoldernameofimages/"

8. When done, PREVIEW and then SAVE TEMPLATE.

9. Now create a NEW POST in your Blogger blog.

10. Click on the HTML button to complete this next step. You are going to paste more code from your own webpage.


11. Look at the View Page Source code again, select and copy the contents between [BODY] and [/BODY].

12. Go to your Blogger new post and paste the contents on the page (HTML view).

13. This step is important. Look at the code carefully. In every line where you find these words, img src="data1 ..."

img src="data1/images/093216.jpg" alt="I wonder ..."
 title="I wonder ..." id="wows1_0"/></li>

YOU NEED TO INSERT the link to your webhosted page, e.g. as in Step 2: ""http://yourname.com/wowfoldernameofimages/".

Then, the code would look like this:
img src="http://yourname.com/wowfoldernameofimages/data1/images/093216.jpg"
 alt="I wonder ..." title="I wonder ..." id="wows1_0"/></li>
 
If I'm making sense to you, your Wow Slider should embed correctly in a Blogger post.

All the best! Here's how mine looks: Wow Slider gallery 1

Preparing to Teach Online 2013 Wrap-Up

Monday, April 15, 2013

3 days at Sloan-C ET4Online 2013

As an instructional systems designer/education researcher, I attended sessions at the Sloan-C Emerging Technologies for Online Learning with the goal to inform my professional development. In some organic fashion, my interests somehow coagulated into three main areas:

1. How do people learn: what's the latest in educational psychology and how is it applied to online education?
2. How is instructional design and development enhanced by new technologies?
3. Scholarship of online learning and teaching: What interesting research is being done? Using what methods or instruments?

Instinctively, I feel that these topics form the foundation for learning and instruction to all audiences. So here are a few highlights of what I've learned in each area from the conference.

1. How people learn.

Dr. Michelle Miller's session, Leveraging Cognitive Psychology to Create Compelling Online Learning Experiences, helped me recall some things I've learned about cognition. She shared some useful tips on applying concepts of memory and attention to online learning.
  • Forget about traditional concepts of short-term memory. Stay within working memory and attention limits. Promote practice and automaticity (Bargh).
  • Passive exposure is not much use. Effortful, attentive practice is what counts.
  • Forget about perceptual learning styles. Instead pay attention to multimedia/multimedia research (e.g. Richard Meyer's).
  • Harness the testing effect and encourage spaced study. See tests as learning activities.
  • She recommends the gamification of learning.
I later attended Jason Drysdale's session, Why Gamification Can't Replace Games-Based Learning, which became a rebuttal of Michelle Miller's suggestion. :) He thinks gamification is like cheese we put over unappealing broccoli to trick kids into eating vegetables. However, I feel that what Drysdale recommends is not cost-effective in an education system where time is of the essence. To him adding a leaderboard and listing achievements is "old gamification" that encourages competition. What is required is new gamification, which is not just about aesthetics, but entails the mechanics and dynamics of game playing. I didn't catch all the theoretical principles he listed -- I'll have to contact him for the references.

My conclusion about research in this intriguing area of learning is that we are still trying to figure out how to best motivate students to learn and to get students' undivided attention in a digital multimodal age.With student and faculty variability, motivation of learning is an absorbing area of research.

2. How is instructional design and development enhanced by new technologies?

Instructional systems design has changed a great deal with the availability of a whole slew of tech tools. Assessments still require a lot of careful crafting but the process of implementing assessments is changing. Remote and online testing is challenging instructors on how to best ensure authenticity and academic integrity. We have vendors like ProctorU, Kryterion, and Software Secure vying for the business of providing online proctoring of assessments. Knowing about all these tools and knowing which to use will become increasingly useful for online professional education based on meeting competencies.

I attended 2 sessions about instructional development that were time and labor-intensive:

- Dr. Wasim Barham, Southern Polytechnic State University, presented his use of a games-based virtual lab simulation for the Strength of Materials lab for civil engineering students.
- Dr. Cammy Huang, Google, created an interactive and simulation-based teaching approach for human physiology that was developed at Stanford University where she was formerly working. It also won the 2013 MERLOT Biology Classics Award. Check out the Virtual Labs: http://virtuallabs.stanford.edu/demo/


I attended one session about an app for data mining: Data Depository for EdLab's applications (by Teacher's College, Columbia University). I'm fascinated by learning analytics. I think it appeals to the research part of me. EdLab's concept is similar to Google Analytics but Manav Malhotra, the presenter, says it is more flexible and capable of tracking learner behavior in a "holistic and granular fashion." I'm waiting for it to be made available for public use. Meanwhile, I wonder how I can encourage educational data mining for faculty research on teaching.

 Three words came to mind when I thought about what these presenters produced: Belief. Effort. Passion. These instructors/designers/developers believed in what they were doing: they wanted to connect with learners, to motivate them, and to bridge the learning distance. They invested a great deal of effort to produce these materials with a team. Their drive and passion sustained them. They talked about still wanting to do more despite or in spite of what they have done. I left wanting to work on a project of this magnitude. I want to do so much.

3.  Scholarship of online learning and teaching.

There was one session on researching team cognitive constructs that entailed the use of meta-analysis. It wasn't so much about online learning, I think, but it is about shared cognition in learning spaces and communities. I could see it was a difficult study. The meta-analysis explored "the predictability of different shared cognition constructs on team performance." As Dr. Miller said, passive exposure is not much use. :) I learned about meta-analysis and will need to do meta-analysis before deep learning occurs.

John Turner, the presenter, used an instrument by Gall, M. D., Gall, J. P., and Borg, W. R. (2010) [Applying Educational Research: How to Read, Do, and Use Research to Solve Problems of Practice (6th ed.). Boston, MA: Pearson.] to rate the quality of the articles. It looks like an instrument for future use.

Monday, January 14, 2013

Jodie Foster's Speech

"Normal is not something to aspire to, it's something to get away from."

 There has been a lot of talk about Jodie Foster's acceptance speech at the Golden Globes. Some good, some trashy, and some just silly; many were perplexed by her words. I was fascinated. Not that I watched the show. After Downton Abbey, I flipped channels, and lo and behold, it was Jodie's moment. A Guardian Film writer dissected her speech and hailed it an oratorical marvel. For me, here are four quotes that reverberated with me and I want to capture these thoughts in time:

“Being an artist is a way of saying, I am here, and this is what I stand for,” she said. “And I will never be tired of that.”

I see myself as both an artist and a (social) scientist. I've been very blessed, in tangible and nontangible ways. My worst fear? That I will never fulfill all the potential I've been blessed with in this limited life!

"Privacy. Someday, in the future, people will look back and remember how beautiful it once was."

I am intrigued as to why some human beings spend so much time gossiping about other people they don't understand or know so little about. I suppose tattering about others is the premise for certain types of businesses? 

"Mom, I know you are inside those blue eyes, somewhere. There are many things you won't understand tonight, but this is the only important one to take in, I love you, I love you, I love you. I hope that if I say it three times, it will magically and perfectly find its way into your soul, that it will fill you with grace and joy in this life knowing that you did good in this life. You are a great mom, please take that with you, when you are finally okay to go ..."

Jodie, I want to say the same thing to my mom too. Thank you for articulating these words that I could never say to her in such a perfect way.

And finally, thank you for your humanity.

From The Examiner, April 14 2011

"However, that being said," she added, "if you're motivated and if you put your foot down and say, 'I don't want to be your reality show,' then you can take charge. But it requires a lot of energy and a lot of always asking that question of yourself, Who do I want to be? … What do I want to see in myself ? … What do I want to stand for ? … always asking that question every time someone hands you that free watch or whatever. -- Every single decision that you make, has to be processed through the consequences of that decision on your psyche." 


Jodie Foster
Image Source: http://www.theplace2.ru/photos/photo.php?id=461611


Friday, December 28, 2012

A Reflection on Tribes the Play

"Tribes" by Nina Raine at Barrow Street Theatre
tribes
Source: http://barrowstreettheatre.com/whats-on/tribes.asp









I didn't know what to expect from the play. I went with one goal: to watch border-crossing enact in hybrid spaces when a Deaf actor works with non-Deaf actors and to do "research" for my dissertation. So here's my short reflective poem about the play:

Clamor
Of sound and silence
Language
Signed or spoken
By them
We live, love
Or not

Tell me
Don't leave me
Out
Speak my language
Understand me
By
Whose terms?

Two paths
Onward we trod
Center or edge
Will we meet
At some point?

"Until
I stopped
Talking
You didn't
Hear me
I can't
Be here
Any longer"

Try
Tell me
Sign me
Love me
I love, love, love you
Sound not needed
For admission

yin wah kreher
copyright, dec 28, 2012

Vignettes: NYC 12.26.12 - 12.27.12

"No gum popping. Gum popping. Gum popping."

"Zero tolerance policy."

We turned to look at each other, my fellow passenger, a black lady with a British accent. She rolled her eyes and gestured with her right hand, saying in silence, "What's up with this driver?"

The passengers obeyed. The trip to NYC passed uneventfully. I didn't need a pepper spray after all, vanquishing an acquaintance's hypothesis that I was headed for catastrophe by taking a Greyhound bus to the Big Apple.

She didn't talk to me during most of the journey. I didn't want to disturb her. Her back was towards me as she  rested. Occasionally, she would file her nails or moisturize her hands and face. The cream smelled good. As we reached the terminal, she talked about the only city in America she would and could live in: New York city. And in other parts of the world? London. Paris? Passe, although she could speak French. She was international and couldn't imagine living anywhere else. We talked about Hongkong after she found out I was from Singapore ("a bit sterile").

"I could live there," she said about Hongkong.

"Xi-oy" (Cantonese for water), she offered this word for mirth. I laughed.

"Yes! In the right tones too!"

"Hou!" (Cantonese for good) I laughed once more.

And she vanished into the Port Authority Terminal crowd.

********

8 hours later. Through cloudy dark weather most of the way, I landed at Port Authority Terminal. We had ridden into a winter storm. (Why did I leave sunny Richmond?) With a heavy haversack (not so when I was packing) and a big tote, I meandered through the never-ending frenzied hordes of people at Times Square. Snowflakes larger than the size of quarters pelted down my long past-the-knee goose-down outercoat; rain ensured I whip out my umbrella. Well, for maybe 5 minutes. My umbrella succumbed to the strong gusts of wind. Past Sephora, down Broadway, I trudged on. No yellow cab would go to my hotel. Walk I must then. Without an umbrella, I lost some verve, or maybe nerve, as to when and whether I would reach my hotel. $14.88 less later, I got another umbrella and persisted.

Down Broadway, past 6th Avenue. The hotel sign with flashing lights came into view.

I stumbled into my high-class dorm, with bunk beds, that cost 4 times my play ticket.

*********

12.27.12

Heading out early. People-watching with a MacDonald's breakfast.




































3 words. Wet.grey.cold
















Am I getting close?
















Who'd have guessed? Greenwich House=Barrow Street Theatre.
















***************

I relented. I would take the train to get to 42nd Street from Barrow Street (which was near 4th Street). It was too cold at 5pm to walk.

I got on the A-train and sat down. There were no announcements. I missed the Times Square-42nd Street station. It was already the 50th Street. Fine. I got out and hopped onto the next train to get back to 42nd Street-Bryant Park.

Out of the train into the streets. Amongst travelers who were frequently taking pictures. Posing. Grinning. Is it me? Am I too tired or just longing for the solitude to reflect on the powerfully visceral play I had trekked so far to watch?

The Port Authority Terminal building loomed large. I made it down two levels and found the station.

****************

A young girl originally from Puerto Rico sat next to me. If I thought I was inexperienced at taking buses (Well, I'd always flown), here was someone who was more anxious, although she didn't really show it. It was her first trip out of NYC into another state in the US. I told her I'd never taken a greyhound before since I arrived a decade ago. She looked and voiced her thrill at finding a "good person" on this trip, someone as "green" as she was. It was a compliment.

A dermatologist-in-training. A dancer. She gives back to the community through dance. She made me feel better about myself and my dreams. I wanted to be where she was, at her young age she was doing much more than I was at her age. Or maybe just differently.

It was uncanny. We had both seen Tribes, Mama Mia, Jersey Boys, Phantom of the Opera, Les Miserables. She insists she wouldn't watch Les Mis in film. I laughed.

"Just enjoy the music?" I said weakly. I couldn't even convince myself. Russell Crowe ruined it.

Our conversation centered around arts, theater, and the translation of theater into movies. We both agreed. Movies could never replace live theater.

The back of the bus was noisy. Some guys were talking loudly. I wish the first Greyhound driver was here to hush him up.

"Zero tolerance policy."I won't be amused this time.

****************

Chesapeake House. Alexandria. Fredericksburg ... 7 hours later, I was home.

She'd travel on for 8 more hours. "If we pay attention, we will learn new things we may never have learned before." #CrashCreativity course lessons prepared me in some way to be open to new experiences. 

****************