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Showing posts with label faculty development. Show all posts
Showing posts with label faculty development. Show all posts

Saturday, May 30, 2015

In Faculty Words: From Desire to Educated Ability to Promote Inclusivity

Simulation of Visual Challenges
Simulation of Visual Challenges
Faculty Development. A phrase I've long considered rather odd and incongruous. Maybe it's because I've been emotionally damaged by the words of one of my ID professors in grad school. He told me that faculty (in his world) hate the term "faculty development" because they are already developed. They don't need to develop anymore. They are possibly open to training, but not development. Another reputable ed psych and edtech professor who upon learning that I was going to tread the path of a practitioner (and not join the hallowed halls of academia) after finishing doctoral studies, wished me good luck in convincing faculty that someone could teach "better" than they did. So you see, I'm somewhat scarred. (Note: I still have faith in working with faculty, just that on some days I feel these words haunt me.)

But faith in the desire of faculty to want to improve their teaching surged when I read the following goals of some of our participants in the Institute on Inclusive Teaching 2015:

"I want to advance from the desire for inclusivity toward the educated ability to promote it, in any setting."

"I find that my own process of “de-colonizing” my mind and examining my various privileged identities has a direct bearing on my working relationship with students and faculty, through my increasing openness to and understanding of perspectives radically different from my own." 

Ultimately, I want to explore and expand upon my existing conceptualizations of diversity within my discipline so as to develop a more cohesive framework for integrating inclusivity across my instructional approaches, course content, and pedagogical content.

I witness failures from students who are struggling because they do not have the time to study. They have to work to pay tuition and they are too tired when they arrive in class to learn, let alone do their homework. In other words, those who succeed are those who have both the means and the will to study. Students also come from diverse school districts with more or less well developed language programs. Their ability to perform in my class depends also on their previous high school experience. Those who graduated from a demanding high school program passed my class with flying colors. I sympathize with my weaker students who have many odds stacked against them.

In my opinion, the diverse classroom should be accessible to everyone and anyone, but this is not the case. The greatest challenge in the XYZ courses has been 1) how to make our online content meaningfully accessible to visually impaired students, whether it is in the web-based workbook or the grammar exercises in our LMS, and 2) how to develop other types of comparable course content for them. Two out of the three visually impaired students I have taught have been unsuccessful in our courses due to these structural and curricular shortcomings.

As a public institution, it’s vital for VCU to maintain connections to its surrounding communities, especially disadvantaged ones. I think this starts with recruiting and supporting economically disadvantaged and historically underrepresented students. I don’t know how to do this on my own, but I want to do what I can to make it happen, and for me this begins in the classroom.

Amazing. Dedicated. Caring. Teachers who want to do better. Teachers who spent 5 days from 9 to 4 to learn how to improve their teaching. Not one or two. But 15 of them. Thank you for these unassuming courageous warriors in the educational arena.


Monday, April 6, 2015

3 More Myths about Instructional Designers

[Draft 1: April 6, 12:38am; Updated: April 6, 9:45am]

In the past, I've written about the myths and mischaracterization of instructional designers (ID). I realize that such perceptions (or misperceptions) exist across many fields and disciplines, but I think I found more to add to my growing list of misperceptions about IDs as I work in the field. This post seeks to increase understanding about IDs and filter more silt from the muddy waters.

[FYI, I'm not going to tread on contentious turf about learning designer vs. instructional designer. Joshua Kim has written about this and a few others. This post is about IDs working in higher education.]

1. Instructional designers don't understand the challenges of faculty members. 


"Edufolks versus Non-Edufolks." (Terms coined by a professor).

  • Faculty members who have ed psych or learning science backgrounds versus faculty with no learning science backgrounds. 
  • IDs who work with faculty members who have learning science backgrounds and IDs who work with faculty with no learning science backgrounds (Non-Edufolks). 

Some Non-Edufolks think IDs apparently don't "get" faculty or "understand" them. IDs are too full of theory and don't teach (can't teach? no chance to teach?). "What do they know about our challenges?"

I happen to have many of these attributes: I'm an Edufolk with a PhD in IDD&E, (Yes, I can teach, design, develop, evaluate, do research. I'm a social scientist. Quant or qual, I can do both, and write a mean IRB), who has real-world teaching experience in Singapore and in America, in higher education. I'm also trained in a Teaching College in Singapore and certified to teach in the schools there.

I do get you. And I believe a majority of IDs do get you, in the best and worst of circumstances.

2. Instructional design and teaching are two separate responsibilities.

Are we creating a false dichotomy between IDs and those who were hired primarily as Professors?
I'm an Administrative and Professional faculty, not an Assistant Prof. But I've spent more than 10 years in Syracuse University working with faculty as an instructional technology consultant/Blackboard LMS administrator, working on e-portfolios, implementation of new software, working in a faculty development center, teaching workshops to faculty and graduate teaching assistants, teaching higher education courses, etc. Does this indicate somewhat (plenty?) that I understand faculty?  We seem to see ID as being separate from teaching. IDs are teachers too, and vice versa. They may not teach fulltime but I believe many of them teach and have significant experience working with faculty before attaining ID credentials. (P.S. I also think it is important for them to be affiliated as faculty with the School of Education in the institution they work in. This continues to give them opportunities to teach and enriches them professionally.)

3. Instructional designers are too full of learning theories, mostly stuff that the "average" faculty member doesn't need to know. 


By way of training, IDs are learning scientists. It is essential that we studied and continue to study how people learn so we can offer the best service to our clients. But, have you heard me spout learning theories in front of faculty members? Does any ID do that? Maybe in my blog, I may use a bit of jargon, because I'm writing to and for IDs. If you have written a dissertation before, you do understand that we were trained not to write in jargon because some defense committee readers will come from other disciplines. One of the reasons why I chose to do a qualitative research study is so that I will write and sound more like a human being, and not write in a formulaic way. Also, one interesting tidbit: the first thing we learned in ID grad school is to talk about ID to an audience such as our grandparents. If they don't get me, I've failed abysmally.

Dear Professor, with yes/no learning science background or teaching certification, it doesn't matter any one way to me if you are Edufolk or Non-Edufolk. I get you. Please let me help you.


Thursday, March 26, 2015

Online Teaching is like Learning a New Language

Online Teaching is Like Learning a New Language
Online Teaching is Like Learning a New Language
Is online teaching like learning a new language?
Do bilingual (or multilingual) teachers find it easier to switch from face-to-face to online teaching? 
For several weeks, I pondered these questions as I tarried at the intersection of two/three facets of my life -- online teaching, online course design and learning French (Français or Française?). The second question is a hypothesis I intend to investigate!

Le magazine de l'Alliance de Singapour
Le magazine de l'Alliance
 de Singapour 1993
[Back Story: When I was twelve or thirteen, I wanted to learn French, but was dissuaded by my then Form Teacher, who felt all of us should focus on our core subjects. I dutifully listened to her and live to regret this decision. When I started working, I went to the Alliance Français de Singapour and began learning French with a colleague. We stopped because work got in the way. I'm starting all over again -- to learn the language I'd long wanted to learn.]

Learning a new language involves embracing a new lexicon, new pronunciation, new way of writing, a new culture ... New is the word. Everything is strange and très difficile. But I won't give up because I'm motivated to attain some proficiency in it. It's a childhood dream; my heart is involved, not just my mind.The French language is beautiful. I may not understand French songs but I love listening to its sounds. I will persist despite the challenges. It just goes to show how in learning, we must appeal to students' hearts too -- emotions must be engaged, not just the mind.

Listening to my French teacher takes a lot of concentration from me. Although I'm less overwhelmed than I was in Day 1, I feel like an outsider and am the slowest student in the class. I speak French with diffidence; I don't know quite often how to conjugate verbs or articulate the 's' or 'e' sounds. When I grasp some of the words she is speaking, I feel relieved that I can nod my head and say "Oui!" If not, it's an "Encore, s'il vous plait?" most of the time. One day, it dawned on me that this must feel a bit like how first-time instructors of online teaching feel. Anxiety. Trepidation?

Akin to foreign language (FL) learning, there is much to deal with and more is at stake in online teaching than in FL learning. My musings -- Question 1:
How do we make it less challenging for new online instructors to negotiate a new culture with a new vocabulary? 
For me, I know I must immerse myself in a French speaking and writing environment more often.
Question 2:
How do we support new online instructors so that they have opportunities to be immersed more frequently in online learning environments? [What does this look like? E-mentoring?]

Monday, February 23, 2015

Designing a Course Worth Learning 1

A woman is seated on the floor sorting papers and books, separating essential from nice to know stuff.
Selecting content? 
Over the next few weeks or months, my goal is to reflect on what and how I think as I design (big and small, d/Design) UNIV 291 in the roles of an instructional designer and instructor. There are many design decisions to consider. But there are a few BIG questions I must address. Uppermost in my mind is a question I borrow from David Perkins, a scholar I greatly admire for his ideas on thinking, teaching/learning, and clarity of thought.

With only 8 weeks for a summer online elective course, a big question I have is "What is worth learning?" [If there are things worth learning in a course of study, there are also some things we have to let go of, writes Perkins.]

A related question came in the form of an invitation to have a discussion with graduate students:
How do instructors "select content" for a course? 
Content means different things to teachers who adopt different pedagogical approaches. From the connectivist POV, content is external, constantly changing and interpreted (Larson & Lockee, 2014). In my course, we (my students and I) will build a network of knowledge resources together. One of the ways is to use a Diigo group bookmarking site.

Back to the main goal of my post, my response to the first question drives
  • the core questions I will explore in the course with my students,
  • what I will include in my course sessions (hence answering the second question), and
  • the assessments I will design to gauge what is being learned, or not learned, how students are learning, etc. 
In his latest book, Future Wise, Perkins (2014) describes a scenario where a smart-alecky student raises his hand to ask, "Why do we need to know this?" Therein lies the counterpart (or counterpoint?) to Perkins' question of what's worth learning. Indeed, as instructors, we hope to avert the occurrence of such instances, albeit astute.

As I ponder this key question (what's worth learning), I thought about the more than two decades of formal schooling I've had and what of it has remained in my life.

1. Most of the academic content I've learned are stored in long-term memory. What counts as active knowledge are what I use daily -- some theories, strategies and heuristics I may refer to for design thinking and problem solving.

2. What has lingered over the years and used persistently are skills of reading, writing, thinking (problem-solving, metacognition), communicating, and relating to people.

3. The early years of learning more than one language and culture and of avid reading and journaling have been augmented by specialized learning in my later years of formal schooling. These practices have morphed into and assumed 21st century forms -- blogging and e-reading extend what I learned from my early years. These practices are a result of my metacognitive awareness and responses.

4. In graduate school, certain values and attitudes were reinforced; discipline, parsimony in writing and precision of thought. In the presence of my mentors, I absorbed via osmosis and observation abstract concepts such as their approach to research and teaching. To this day, what they taught and modeled for me are ideas I still implement in my life -- the knowledge and practice of research, scholarly writing, mentoring, teaching, and service.

All these have remained. How then do these disparate thoughts help me in crafting a course that is worth learning? Here are some preliminary thoughts based on my pedagogical approach to teaching and learning:

  • How will I frame the course topic(s) so that it is generative and makes as many connections as possible to what matters in learners' lives?
  • As a thinking-centered course, what context(s) will I set the course in to help them develop understanding of visible thinking and visible learning? Learning doesn't take place in a vacuum (Perkins, 2009).
  • What do I want learners to understand when they finish the course? What do I want learners to get better at doing? What will learners construct an understanding of? (This has been somewhat articulated in my syllabus 1.0.)
  • How will they actively explore, inquire, argue, and construct their understanding of the topic?
  • What topics will the learners build a network of external knowledge sources on?

Let's see how these macro-level questions will guide me further in course design.

Meanwhile, at the micro design level, I've been working on the course site header and trying to pick the best theme, course site layout, and navigation for the site.

Do you think the header works? Till the next post.

Homepage of UNIV291 summer 2015 course
Homepage of UNIV291 summer 2015 course




Tuesday, January 27, 2015

Faculty & Student Perceptions of Teaching Resource Use

A comparison of VCU student (n=337) and faculty responses (n=323) in the 2014 ECAR Surveys regarding tools/resources they wish their instructors would use MORE of (rated 5 on a scale of 1-5) and those that faculty MOST wish to be skillful at (click on image to enlarge):

Ranking of faculty and student perceptions of resources students want more use of and faculty want to be more skillful at.

Top 3 among students: More of lecture capture, LMS/CMS, early alert systems
Top 3 among faculty: More skills development in simulations/educational games, OER, online collaborative tools

A comparison of VCU student and faculty responses in the 2014 ECAR Surveys regarding tools/resources they wish their instructors would use LESS of (rated 1) and those that faculty LEAST wish to be skillful at (click on image to enlarge):
Ranking of faculty and student perceptions of resources students want least use of and faculty want to be least skillful at. 

Top 3 resources/tools among students: Less of social media, smartphones in class, e-books
Top 3 resources/tools among faculty: Least interested in skills development in smartphone use in class, 3D printers, and social media. 

What implications do these findings have for ALT Lab programming and initiatives? 
Food for thought. More later. 

PDF download of findings

Sunday, January 18, 2015

Photowalks

Intricate Gate
Intricate Gate

Doing the Selfie
The above two photos were taken on July 30, 2014, on my first photo safari with my colleagues.

The next 4 were taken on January 16, 2015 with my new colleagues, Emma and Max, with Tom leading. All photos were taken using my Samsung Galaxy phone.

The Throne
I find this throne-like chair that is blocking the doorway curious.

Winter Tree

I have a penchant for snapping pictures of trees -- blooming, withered, snarling. They are easily symbols of life and death.

1005 and 1007
Architecture is another fave subject. "Don't they all look the same after a while?" my husband asks. Not really.

Spire
I could have shifted myself so that the little bit of another building would be out of the picture. But I find imperfection in photos sometimes rather peculiarly endearing and real. I've added another painted layer over the original photo to make it more imperfect, :-P.

New Faculty Academy 1-9-15
Stan and I were there with Tom. I was happy to find that several participants found ALT Lab's services interesting despite the food distraction.

Down the Street Where I Work

I saw with fresh eyes how lovely these houses were to the left of the building where I work. New eyes are good.

Saturday, January 10, 2015

Olé Days 2 & 3

Days 2 and 3 of OLE offered participants more new ideas to refresh pedagogical perspectives and work on their course sites.

1. Moving Images (In both sense of the word "moving")


Collage of stills from VCU course video trailers' by VCU ALT Lab, Molly Ransome and team
Collage of video stills from course trailers of 4 VCU professors

Molly Ransome shared with the participants course trailers of Ryan Cales, Jason Coats, Dianne Jennings,  Gardner Campbell and a few other instructors. The trailers were each fabulous in their own ways. Gardner's trailer is a self-made one that made us chuckle (and I'm not saying this because he is the Vice Provost of the Office of Learning Innovation and Student Success where I work). Gardner shows us that anyone can make a video clip if in possession of a smartphone. His trailer is whimsically and distinctively HIM; I hear his voice (literally, figuratively). The session inspired one participant to make one of her own, right away, i.e. after class, that day. Holly Buchanan, I salute you!



Well done, Holly, Molly and Team Creative at ALT Lab! If I were a student in any of these cited courses, these trailers will help me feel less isolated from a community of online learners who I don't get to see -- unless someone posts a message or communicates in some way. I'd love to hear, see and connect a face to my online instructor from the very beginning of my learning experience. It sets the right tone.


2. Practice Makes Perfect ...

... is indeed a truism. I spoke for 20 minutes (thereabouts) four times on the same topic, at 4 different stations/tables, for our Digital Petting Zoo session. By the end of the fourth session, I was cruising. Any reservations I had -- about how to talk to new bloggers about blogging for connected learning in 20 minutes without any projector or display surfaces -- were banished. I used a combination of devices and apps -- participants had their laptops; I emailed or tweeted a shared document; I wrote short URLs on a piece of paper (which didn't seem to work very well)... But you learn to adapt quickly.

We had great conversations at each table. I've been thinking if 20 minutes is long enough, including time for moving to different tables. I do like keeping things concise though!

Digital Petting Zoo VCUOLE
Image of whiteboard writing surface, and Jon Becker, Director of VCU ALT Lab. 

3. An Enthusiastic Learning Community

We had two OLE cohorts -- one gathered at Monroe Park Campus and one at MCV Campus, where I was at. On two occasions, we were connected via video conferencing. My reflections are based on my interactions with the MCV cohort participants alone, who were minds-on and hands-on with their learning. They were so engrossed in their discussions that food was an afterthought on Day 3.

VCU School of Nursing Doctoral Nursing Program group
VCU School of Nursing's Doctoral Nursing Program faculty
Thank you again for the delightful discussions. See you at Agora or the e-highway soon!


Tuesday, January 6, 2015

Olé, Olé, Olé

According to Wikipedia (Oops! The mention of this word might start a friendly argument!), the word "olé" might refer to several things, including a football chant, with the star footballer's name added to the end. In my case, I refer to both a rah-rah cheer (Go! VCU OLE!) and a program the ALT Lab is running.

Today was Day 1 of the Institute and has been a pretty intense time with lots of ideas presented to participants. We are all going to spend some time tonight doing HW, yup, Home Work! So this is going to be a short post. I will share 3 things that stood out for me today:

1. Example of an engaging learning experience that makes students think deeply. 
Leaf from a shrub? Spicebush
Leaf from a shrub? Spicebush?
I took some pictures of leaves in the setting sun and uploaded one of them to a course site, Field Botany. (FYI, I'm a little confused as I'm unsure if the leaves were those of a tree or shrub since I will admit I rushed through this exercise to get to other OLE prep for tomorrow. I invite you to click on the course site and explore it yourself.) This is a well-crafted, interactive and engaging learning experience. It allows the learner to use various thinking skills to learn about trees/leaves -- observation, comparison, making connections, forming conclusions, reasoning ... Yes, I am a fan of learning via thinking and intellectual development.

2. Video-conferencing presents challenges and has yet to live up to its promise. 
My colleague, Enoch Hale, gave a presentation that was shared with another group of OLE participants meeting on the Monroe Park campus via videoconferencing. Despite advanced testing and preparation to use the software, some challenges still arose. Audaciously, I'll say that no current videoconferencing hardware and software are able to capture the in-person experience and transmit that to another location in a manner many of us desire.

The audio capability of the software was not optimum today. In both rooms where human conversation had taken place at a normal decibel level, the presenter was tethered to the console/microphone because moving any distance away led to participant feedback about inaudibility. Also, for a presentation where there were a number of starts and stops for participant discussions, it was difficult for my colleague to try to catch the attention of participants on the other campus via video when he wanted to start or stop the activity. Initially, I had to text another colleague to get him to relay the presenter's messages to the facilitator on the other campus. I attribute the challenges to both human and nonhuman factors. However, I believe the poor audio capability of the hardware/software made things more difficult for the presenter to control the discussion starts and stops. My verdict: we need more sophisticated video conferencing hardware and software.

3. What if...
I wonder if we could have participants get up and move around a bit more to actively participate in the experience. Although they were encouraged to take notes on the shared Google Doc, I wish the room had more writing/doodling surfaces -- whiteboards, touch screen monitors, and space to encourage learners to be more active in documenting their learning. (Yes, there are understandably facility constraints.) I was glad to see a few learners taking pictures and sharing the camaraderie on Twitter. Well, tomorrow is another day of possibilities. 

Tuesday, December 16, 2014

Assessing Student Learning in Online Education Part 1

Assessment types.
Besides learning engagement, assessing student learning is one of the top concerns (top 3?) of teachers. This burden is no less lighter for online teachers. Much as teachers might like to banish this bane of teaching from their jobs, assessment (evaluation, retention, accreditation, and all related concerns) won't go away because "measuring" learning and giving a score/grade to course completion is a deeply embedded element of the institutional culture of formal education. How to give a grade meaningfully is a priority of mine.

Recently, the role of rubrics in online learning assessment was (tangentially?) touched on at a meeting. This comment led me to a series of conversations with folks around me. They each offered unique perspectives but I was left unsatisfied due to no fault of theirs. I wondered if I had caught up with the current wave of discourse about assessment in online learning. This blogpost is part of my ongoing efforts to learn more about the latest in online assessment [As a mini literature review, it's somewhat long, sorry!].

1. There are few empirical studies about assessment in online learning. Most studies in online education have focused on course design, technology implementation and learning outcomes between different modes of instruction, i.e. degree of hybridity/blend, F2F, fully online (Cheng, Jordan, Schallert & D-Team, 2013).


2. The nature of online learning has influenced the adoption of grading rubrics:
  • Rubrics have been used to provide explicit instructions and clear communication essential for efficient and effective learning across space and time. Proponents of rubric-use argue that rubrics provided by the online teacher serve as a means of explicit guidance to learners as descriptors of the level of performance expected of them. 
  • Rubric grading is a legacy of traditional face-to-face instruction. Some teachers who are new to online teaching may not be aware that a new approach to teaching is required in the new and different learning environment. OR, they may find assessing online  learning formidable with the distance and lack of immediacy in interaction. How they assess traditionally is thus transferred over to their online teaching experience.

3. Online teachers frequently use asynchronous forum discussions as a way to "provide a sense of connection among participants" (Dennen, 2008). 

In the online learning environment, no one knows if a student is present unless s/he communicates in some way, through text, image, sound or video. Historically, many teachers have relied on rubrics to assess learning participation and if forum discussions have enhanced learning. Research on asynchronous online discussions has not matched the popularity of this online assessment practice (Cheng et al, 2013).


4. Writing a good set of rubrics is a challenge. What are they anyway? To quote Susan Brookhart, (2013, Association for Supervision and Curriculum Development website & book):
The genius of rubrics is that they are descriptive and not evaluative. Of course, rubrics can be used to evaluate, but the operating principle is you match the performance to the description rather than "judge" it. Thus rubrics are as good or bad as the criteria selected and the descriptions of the levels of performance under each. Effective rubrics have appropriate criteria and well-written descriptions of performance. 
Brookhart's book provides an introduction to different types of rubrics a teacher may consider using.

Image shows types of rubrics and its purposes. Are they used to assess learning process or learning product?
Types of rubrics (Brookhart, 2013).
She writes:
When the intended learning outcomes are best indicated by performances—things students would do, make, say, or write—then rubrics are the best way to assess them... Except in unusual cases, any one performance is just a sample of all the possible performances that would indicate an intended learning outcome. 
Whether or not to use rubrics in an online course depends on a few factors:
  • The purpose of the assessment. What do we want to assess? What is it about the learning experience we value? The process of learning? Learning products? Both? The sum of the learning experience or parts of it?
  • Formative and/or summative assessment 
  • Individual and/or group assessment
Although teachers may use rubrics to assess both the learning process (development / emergence of some mental schema [cognition]) and the final product (written reflections) of asynchronous discussions, it is difficult to develop a robust rubric that fully measures (or captures) how students read, write and engage in online discussions.


5. The use of grading rubrics in assessing online discussions is problematic. 

Rubrics, more often than not, are used to grade individual-based expressions or reproductions of knowledge rather than learning (Cheng et al, 2013). Rubrics that grade collaborative work remain a challenge to develop. Even without rubrics, collaborative learning by itself is a complicated endeavor to design and assess (Swan et al, 2006).

Dennen (2008) who has done research on "productive lurking" (An eye-opening concept for me!) argues that learning is an invisible practice, and non-visible learning activities such as lurking can actually be engaging and a learning developmental stage for some students. As they watch how other students learn, they move towards visible learning themselves (Hint of Lave & Wenger's (1991) Legitimate Peripheral Participation in Communities of Practice? LPP in COP). Teachers are often more likely to assess learners on the written aspect (Dennen, 2008) and not so much on their reading and engagement (while lurking). What evidence might online teachers be looking for?

Moreover, frequency counts (indicative of participation, but not always of learning), content and quality analysis of postings are time-consuming work for teachers, especially those teaching large courses. When students are rewarded a grade for creating a certain number of postings, what sort of message are we sending students? Is low-visibility work such as reading and reflecting less important?

With the increasing use of social media such as blogs and Twitter chats for communication and discussion, blog rubrics have been created by some teachers to motivate students to create blog postings. Some examples: one two three.

My concern about some blog grading rubrics are that they are too task-specific and sometimes, guide students to look for details that are often not what matters most in learning. Not to mention that grading blog postings by the teacher alone is tedious work. When I was a TA in graduate school, I created a spreadsheet to help the instructor keep track of postings so that she could grade them. It was for a class of not more than 20 students who were divided into small groups to ensure they would comment on each other's posts. What challenges would a course with 800 students present if the teacher plans to grade them for continuous feedback? How many teachers have the privilege of TA help?


6. How can we assess online discussions more holistically?

Dennen (2008, p. 215) suggests using three more analytic methods -- besides participation measures and content analysis -- to examine online discussions. Note: Dennen examines methods for the assessment and research of online discussions for indication of learning. I am extending her ideas on methods of discussion analysis to include an examination of networked, connected online conversations in these post web 2.0 days:
  • structural analysis (refers to "structure" of discussion/conversation; who talks to whom, who has power, includes use of social network analytic method; helpful in noting dynamics of collaborative work; used by itself, this method will not provide teachers with a complete picture of learning)
  • microethnography (as the name suggests, it's likened to ethnographic studies; conversations are explored in their contexts; surveys/polls, interviews, and analysis of digital footprints)
  • dialogue analysis (examine interrelatedness of messages and ideas in a dialogue; can be interpretive)
I could see all three analytic methods of online conversations as being beneficial to online teachers, Including an analysis and hence awareness of the social network(s) of learners in their online courses would give teachers a more complete picture of the complexity of learning in their online course communities. Lin and Lai (2013) conducted an intriguing study that combined a traditional online formative quiz with social network awareness. Knowledge of their peers' social network position, social distance, and willingness to help others relative to the student's social network position promoted learning achievement.

Nonetheless, I understand that teachers are busy people. They do not have to use all three methods, nor try them on a large scale (e.g. with 800 students) for a start, unless they are planning to do research on their online courses. Using a team-based approach to online teaching and/or research might mitigate some of the issues that come with having insufficient time to do "so much."


7. If not rubrics, or besides rubrics, how else do we know if learning has taken place in an online environment? 

How do we communicate explicit expectations of learning that matters? Expectations of interaction, quality and performance to learners so that student projects do not suffer from a lack of effort or quality? Particularly if we incorporate peer assessment into online learning? What if students  are new to online learning or new to college?

I've been mulling over these questions. My current probably not-very-original thinking is this:

It's time to move beyond using only rubrics to assess (or grade) online discussion boards in the hopes that students would make postings to indicate engagement. Also, by themselves, online discussion boards with rubrics thrown in are inadequate at assessing student learning.

Recent ideas for alternative assessment practices include the following:
[If you are aware of more alternative assessment practices, please share them with me?]

As a grad student, I've written one learning contract, but the teacher did not follow up on it at the end of the course. So, teachers/instructors/professors, whatever you have contracted (a two-way learning effort) with your student to complete, it is only meaningful learning if there is some feedback provided on what you've asked your students to do -- whether the feedback be from a machine, teacher, student, or member of the public (this is not a guaranteed response though).

With the move towards personalized learning and learner-centered instruction, students are given more opportunities to self-assess and monitor their own learning. However, in the institutional culture of programmatic education and degree completion of studies, student learning assessment is still a HUGE priority in faculty professional development when teachers talk about preparing to teach online.

This blogpost is an expression of my preliminary thoughts on the topic. More reading/conversation is needed and ideas will evolve as I read and synthesize more information.

Articles/Books I read to synthesize ideas:

Labels of Authentic Assessment Types in the first image:
What are some types of assessment? (Jul 15, 2008). Edutopia Blogpost. Retrieved from http://www.edutopia.org/assessment-guide-description 

Brookhart, S. M. (2013). How to create and use rubrics for formative assessment and grading. Alexandria, VA: ASCD.

Cheng, A. C., Jordan, M. E., & Schallert, D. L. (2013). Reconsidering assessment in online/hybrid courses: Knowing versus learning. Computers & Education, 68, 51-59.

Dennen, V. P. (2008). Looking for evidence of learning: Assessment and analysis methods for online discourse. Computers in Human Behavior, 24(2), 205-219.

Lin, J. W., & Lai, Y. C. (2013). Online formative assessments with social network awareness. Computers & Education, 66, 40-53.

Swan, K., Shen, J., & Hiltz, S. R. (2006). Assessment and collaboration in online learning. Journal of Asynchronous Learning Networks, 10(1), 45-62.


Tuesday, November 25, 2014

Supporting Faculty to Teach Creatively & Teach For Creativity

[Context: This has been a challenging post to write. I had what I would call a creative-and-memory hangup. So long has lapsed since I started reading this book that I found myself asking, "Why did I underline these texts? Why the sticky notes?" But I'm going ahead to publish these thoughts anyway because this is what learning is all about -- not easy at times. A toast to visible learning!]
Wagner, T. (2012). Creating innovators:
The making of young people who will change the world. New York: Scribner.

[Purchased: February 14, 2014. Done Reading: November 23, 2014.]

It feels good to flip the last page of this book. In Chinese, we say 眼大肚小. Literally, big eyes, small stomach; meaning one's appetite is bigger than one's ability to digest food; i.e. I have more books than I have time to read them. So much has happened since I bought the book. As evidence of my reading achievement and reflection are the sticky tabs in the book.

A couple of colleagues saw me reading this book and inquired about it. This blogpost is partly a response to their questions and a quick reflection for personal application. Bear in mind that I read this book from the perspective of one who initially intended to conduct a dissertation study on fostering creative learning environments. I am thus somewhat familiar with the research literature on creativity and innovation. But there are still some ideas in the book that intrigued me.

1. Creativity can be seen as the confluence of multiple components.

The theoretical research on creativity shows that certain factors are possibly significant in fostering creativity, e.g. Wagner mentions Amabile's Componential Theory of Creativity (1998). The theory has evolved but basically she postulated that creativity-relevant processes (e.g. cognitive style, personality characteristics) and expertise in a domain (acquired formally or informally) provide the foundational raw materials an individual needs to explore and solve problems creatively, but motivation determines what people actually do with their skills and knowledge.

[Several creativity theories and frameworks mention similar components of creativity. I'm going to just list two more:

After interviewing "scores of young innovators" and studying their ecosystems (i.e. talked to their parents, teachers, mentors), Wagner (p. 200) identifies an innovation-supportive learning culture with these values:
  • collaboration 
  • multidisciplinary learning 
  • thoughtful risktaking, trial and error 
  • creating
  • intrinsic motivation (play, passion, purpose) 
Although worth repeating, I was looking for something more, as these ideas have been quite widely published in the creativity research literature.  What kept me reading till the end were the many inspiring stories about young innovators and their trajectories to becoming social or business innovators. A thread running through these narratives were the courage and perseverance of these young innovators, their parents and mentors -- how they took the less trodden path to realize or help others realize their dreams.


2. A Few Memorable Quotes 

"What you study is not that important. Knowing how to find those things you are interested in is way, way more important... It's like how I would imagine navigating a satellite through space. You're headed off with a velocity, and, oh, there's a planet over there. I'm going to orbit it a couple of times, and then shoot off somewhere else. How to pick the things you are bouncing off is really about integration -- integration at a personal level...

The classes were transformational for me not because of the content, but because of the people process... This class was great for me because I got to work in teams on these multidisciplinary problems that required bringing together a set of tools to create a solution." Kirk Phelps, young innovator cited in book (p. 32 & 41).

"Here at the [MIT] lab, we take our inspiration from the way people learn in kindergarten, where kids have opportunities to create, design, and build collaboratively." Mitchel Resnick cited in book (p. 182).

Reading as Play. "... the discipline of reading develops the muscles of concentration as well as the habit of self-motivated learning" (p. 211)

... the most important "toys" children needed to develop their imagination and creativity: "Sand, water, clay, paint, and blocks. Once they can use these materials, they can create anything." Beth Wise cited in book (p. 209).

I haven't observed how children learn in kindergartens. But I think frequently about how I learn and my disposition towards thinking and learning. Resnick's quote reminds us not to lose a playful approach towards learning. There is a child in us that still lives on despite our all grown-up exteriors, and it's not a bad thing. Sometimes, when we overthink and overplan, methinks we've killed the inventive spirit, and that child in us has been silenced. Perhaps we've let education and all the bad habits we've learned in schools squash our creativity.

I am privileged. I have many tools, and have access to many more, that allow me to have a voice. Yet I frequently fall back to a few trusty tools to articulate my hopes and dreams -- pen, writing journal, sketchbook, Photoshop, Illustrator, PicMonkey, my blog. We don't need many tools, we just need a few that allow us to express our thoughts. Simple tools facilitate conceptual design. Before I digitize anything, I find that sketching my thoughts out and writing short notes about them are helpful. The questions I ask myself are: What are some tools that best suit your style for exploration and play? Have I set aside time intentionally to play and explore?

I'm very thankful for a set of parents who immersed me in a rich literacy and multilingual environment from young. They didn't and couldn't read to me, but books were always readily accessible. Languages other than English were used interchangeably in my family. Though she didn't know English, my mother would somehow know what English books to borrow for me when I was sick and unable to go to the public libraries with her. The point is, books, and languages, together with tools for exploration and imagination, lead us into real and fantasy worlds where integrative thinking occurs: ideas are unearthed, mixed and remixed. Am I reading and synthesizing ideas?


3. Supporting Faculty to Teach Creatively and to Teach For Creativity

My motivation for reading this book is to learn something in order to better support students of every age and type in their creative pursuits. Creativity is a habit (Sternberg, 2012; Tharp, 2005) and a way of life. I believe we can teach students to cultivate habits that predispose them to think and live creatively.

At the ALT Lab, we advocate that teachers practice connected learning that fosters innovative learning. There is a difference between teaching creatively and teaching for creativity, Bonnie Cramond said. 
There are a lot of teachers who are pretty creative and might think of a creative lesson, but who’s being creative? The teacher is. Teachers can be creative in their lessons but we also want to pull out the children’s creativity.
These are words I want to challenge myself and my colleagues.

My question is: Are we encouraging and supporting faculty so that they can teach creatively and teach for creativity?


References:

Getting Creative about Teaching. (2013, July/August). In SingTeach.nie.edu.sg webzine. Online Issue 43. Retrieved from http://singteach.nie.edu.sg/issue43-people02/ 

Thursday, November 13, 2014

Online Teaching and "Body Language"

Image description: A quotation by Jenifer Ringer,
"Terry taught ballet as if it were very important and precious."

Vignette 1:

"Terry taught ballet as if it were very important and precious." - Jenifer Ringer, Dancing Through It: My Journey in the Ballet. 

Pointe Technique in Ballet
Image Description: Feet clad in ballet
shoes standing on pointe position
A line in a book given to me during the early days of losing my parents; supposedly the heroine's victory over her struggles would inspire me. A short sentence fraught with meaning and implications. I especially love the second half of the sentence. The words swirled with the other info bytes in my mind from last week's learning.

[Context: Jenifer Ringer was a professional ballerina. In her memoir, she wrote that she found ballet boring until she met Terry Shields who instilled in her the important virtue of discipline combined with high standards in dancing (2014, p. 12). ]


Vignette 2:

Online Teaching 101. A graduate seminar discussion. On the projector screen were these words, "effective face-to-face teaching." I asked students to explore this phrase and make their thoughts and observations visible through words, questions and metaphors.

Working in pairs, one graduate student raised a question about the potential influence of a teacher's body language on student learning outcomes.

"Are you impressed?" (by their question).

"Yes!"


The mashup:

A weekend and four days later.

Ringer's quote and the students' question led me to think about the planning of my potential summer 2015 online course more delicately. In an online course, many students may not literally "see" an online teacher-facilitator and/or a fellow student's body language.

To be honest, what does body language look like online? Or better, how is it represented online?

First, let's be clear about what "body language" means:
Body Language "refers to various forms of nonverbal communication, wherein a person may reveal clues as to some unspoken intention or feeling through their physical behavior. These behaviors include, but are not limited to: facial expressions, body posture, gestures, eye movement, touch and the use of space." (Wikipedia
  1. Does body language matter online? 
  2. If so, how does the teacher/student display body language? 
  3. What is/are the difference(s)?...
I have many questions. On top of my abundance of questions on participatory networked learning: contract grading (Cathy Davidson), avoiding resistance to contract grading, crowdsourcing grading, peer evaluation, constantly negotiated syllabus... My head is hurting.

Since online learning is mediated by communication technology - text, image (still and moving),  sound, synchronous and asynchronous communication, conveying to my online students how important and precious the subject matter is --to me-- requires meticulous design.

To answer Q2 first, the usual suspects in the technology realm for representing "voice" and "presence" are:

  • Real-time webconferencing
  • Biographies with visuals
  • Podcasts 
  • Conversational tone of text communications 

I've read blogposts by some online participants condemning real-time conferencing, in particular when a panel of facilitators are not prepared. Awkward silence pervades when panelists don't know when it is their turn to speak and students are left wondering how to respond to silence. We live in a world where quick wit is prized and silence/time to think is punished. To answer Q1, yes, it matters, especially if you are going to create videoclips and simulations of real-time teaching where your nonverbal communication cues are going to be captured.

[Note, Nov. 15, 2014: It's not the technology alone that is going to do the job; it is how you use the technology to help you express your intents and motives.]

Yet, Ringer's quote demanded more. I'd not just have to choose an appropriate technology but also, be mindful of all the elements of a course that would gel together to convey my teaching attitude: from frequency of contact with my students, to type of learning activities (Ringer got the chance to participate in real stage productions where her learning mattered), to even how my course site looks. Students care about the values teachers are imparting, like Ringer. Every detail of the course would convey if I'm fearlessly passionate about the topic. It's simultaneously exhausting and rewarding to design and teach a course.

As to Q3, is there a difference between how a teacher and a student conveys her intentions in real-time and virtual spaces? This is a difficult one.

Ideally, we are all human beings and regardless of our status, there should be no difference; we ought to treat each other with respect and dignity. But teachers are held to a higher standard as the role model and facilitator. Granted, Freire wrote that we are all teachers, at some point, and we learn from each other. This answers Q3 theoretically. But what happens often in practice?  Sometimes, we forget to prepare in advance for the learner who is legally blind or deaf or has a physical disability which holds back his/her participation in the course. We forget that that blinking multiple-images gif might not be read by the screen reader too well. And that automatic captioning by Google is hardly any captioning at all unless we are all wonderful voice talents and videographers. We don't know that sometimes a blind student might need more than one type of screen reader to access information on the web. Because we have yet to encounter a person with such challenges. Yes, teachers are held to a higher standard. We have to be vigilant of different learners with different needs and seek to make them feel welcome.

A somewhat cliched quote I'll include to end this post, but nonetheless one I often think about in teaching and relating to people:

Image Description: A quotation by Theodore Roosevelt,
"No one cares how much you know until they know how much you care."
My ex-students had indicated this to me over and over again in my life. Thanks, folks, for what you taught me. 

Tuesday, November 4, 2014

Help! I am teaching online

I thought about adding these 5 words (my blogpost title) to the trending hashtag in Twitter, #ScaryStoriesIn5Words. Those tweets made Halloween Day somewhat more Halloween for me, lots of drama and jokes. Scary? Not so much at the ALT Lab where I was stationed for livestreamed sessions from the Online Learning Consortium's International Conference (OLC). Which is a good thing.

The turnout wasn't ideal but a real and urgent need of some faculty or future faculty members emerged from conversations with some attendees. Some major questions were:

"I think I'm going to be teaching online. Where can I find training resources to prepare me for this role?"

"I have faculty who have been teaching face-to-face (F2F) classes but are now going to start teaching online courses. I can't train them all by myself. Help?"

"We have adjunct instructors who work fulltime and are unable to attend any of the ALT Lab's programs." 

At the ALT Lab, we have programs and events to help faculty get started with online teaching: OLE, Agora, Online Learning Summit, live-streaming of OLC sessions ... Together with the other programs and resources we offer, we hope the variety of formal and informal learning opportunities will help enhance faculty online and F2F teaching experience. 

But I will be honest and confess that I don't have an answer to all three questions above. I understand that most people lead busy and full lives. But rather than wait to learn from a formal course, I would advise new online instructors to regard informal self-directed learning as a significant learning path to professional development for online teaching. I am not going to write about the institutional support instructors must have to get started with online teaching. This blogpost focuses on individual first-time instructors of online teaching and 3 broad suggestions I have for getting started with informal learning. (Disclaimer: These are purely my suggestions and views, not my employer's):


1. Learner Empathy: Take an Online Course

Experience it for yourself, no matter how busy you are. It's about developing learner empathy (Parrish, 2006). It would help the instructor to understand what it might be like when teacher-student roles are reversed. There is an incredible number of open access online courses available. Try the MOOCs (e.g. Connected Courses). 

Image Description: A woman jumps off the cliff and dives into the ocean of online teaching. There are people standing in the online ocean waiting to receive her.
Face the Fear.
Image Description: A woman jumps off the cliff and dives into the ocean of online teaching. There are
people standing in the online ocean waiting to receive her.


2. Face the Fear: Start Learning and Connecting

There is much to be said about building an arsenal of digital tools and sharpening the tools you are going to be using in your online course. Online communities and communication are mediated by technology. The 3 Ws (World Wide Web) might sound scary, and overwhelming, with its infinite possibilities for learning and also, abuse. But I don't see any short-cuts to becoming an effective online teacher and facilitator. I am not one to prescribe specific steps, but joining a community of folks who share your interest might be the best place to start learning about online pedagogy and tools. For examples,
  • Read, watch, listen. Articles, e-books, blogs. Hybrid Pedagogy; what better place to start than in the in-between space? Consider this article by Jesse Stommel on Online Learning: A Manifesto. If you find a chance, talk about it with some other instructors from your program. 
  • Post blog comments, AND, then start blogging to share information and news with your students and colleagues from near and far.  
  • Create a Twitter account (My colleague Tom Woodward shared this interesting article about Twitter, Why I Use Twitter)
  • Join Google+ communities of your interests (You need a GMail account)

I believe teachers have to carve out a safe online space for themselves to experiment and learn with others continuously, thus modeling for their students what it is like to learn from a global audience. We can no longer think of learning as something that is solely confined to a classroom. Or wait to enter a formal space to learn with others. Learn what you can with what time you have. Deliberately, on the go, just-in-time. Learn to steal away for microlearning moments. Develop learning habits that suit your schedule and learning disposition.


3. Keep Learning and Tweaking Your Course: Perfection is Not a Requirement

Someone told me she wouldn't teach online until she has learned enough about online teaching.  "Enough" is a subjective term. It is wise of her to give herself time to prepare adequately for online teaching and not try to replicate a face-to-face class online. In fact, a radical change in mindset is a must for new online instructors. Armed with this readiness to embrace change and some knowledge of how to make the change, one can begin to take the plunge to decide to teach online. However, we need to recognize that no course is going to be perfect from the get-go. Although we may have a plan and a course ready by the time we are in a position to push off from the starting-blocks, the course will be subject to some minor (?) revisions as it progresses through the semester. I don't know any teacher with a heart for teaching who doesn't improvise as s/he teaches throughout the semester.

This post is necessarily a simple reductionistic post about getting started. It does not pretend to be a solution that responds to all the complexities involved in preparing faculty to teach online.

I welcome comments anyone may have to help new online faculty get started through informal learning.


Reference

Parrish, P. (2006). Design as storytelling. TechTrends, 50(4), 72-82)

Monday, October 27, 2014

Visual Language

A couple of weeks ago, a faculty member contacted us to ask for tips to help his students' articulate their ideas in more creative ways. As I responded to the request by suggesting some resources, I realized that in an unplanned way, I've spent some time trying out software and documented my playtime in my blog. I was thus able to refer the faculty member to examples of software and activities I've tried out myself or learned from others.

Here are some older blogposts I've written about my "serious play" with software and activities. I hope they will be of some help to someone:

WeVideo
Online Icebreakers
Oblique Strategies
International Groupwork
Embedding WowSlider in Blogger
Online Art Portfolio Sites
Automatic Captioning & Automatic Timing from Google
13 posts on Second Life, Games & Simulations (dated June 2007)
5 posts on Second Life & Virtual Worlds (dated December 2007)

The rest of this blogpost will focus on two enchanting software I've been fiddling with.

Visual Poetry

I got wind of this tool through #CCourses -- it comes from an interesting resource-rich site for writers (thanks to Kevin Hodgson, @dogtrax, Language is a Virus. I played with the web tool with a stanza from Paul Muldoon's poem*:
I thought again of how art may be made, as it was by André Derain,
of nothing more than a turn
in the road where a swallow dips into the mire
or plucks a strand of bloody wool from a strand of barbed wire
in the aftermath of Chickamauga or Culloden
and builds from pain, from misery, from a deep-seated hurt,
a monument to the human heart
that shines like a golden dome among roofs rain-glazed and leaden.

Image created using Visual Poetry online software.
A stanza of Paul Muldoon's poem, Incantata, was used for this exploration.

Here's how I used this tool to indicate a bit of my emotional response to the stanza.

Muldoon's stanza is extracted from Incantata, written in memory of someone he loved. It is richly descriptive and heartbreaking to read of his recollection of their times together. When I read this poem, I think of my parents. Using the software (you enter the text into the software interface, and use the mouse to outline something; if you have a drawing tablet, that would be greatly helpful!), I drew a sketch -- with my iMac mouse -- to express my longing to see and talk to my parents again someday.

I think of this tool as something a teacher might introduce to her students if she wants them to express writing in a creative and emotionally engaging way. It might seem a tad gimmicky, but teachers can facilitate discussions around students' images. Why did they draw this picture? What were they trying to express? What do the other students see in this picture? These pictures can be embedded in websites, blogs and student portfolios.

A LOT of people are either horrified by or reject the idea of using digital tools that require them to draw, something, no matter how simple :

"I can't draw -- much less draw with a mouse!"

Stick figures are drawings too and you can be very creative with these (see Dharma Comics). On hindsight, I believe I developed a visual language to communicate my ideas over time. Be patient and kind to yourself.


ImageChef

Another fun site that provides free software to make your text interesting is ImageChef. This is the same poem by Muldoon that I've fitted into two templates (limited ready-made templates available on the site but you can create your own symbol to fit text in) -- a panda and a man's silhouette:



How is this helpful and different from Wordle or Tagxedo? ImageChef allows users to include whole paragraphs of text (that are not too long) while Wordle or Tagxedo picks out words that are used most frequently for display as word clouds.  I've used the panda and man's images because I was testing the templates but you can upload your own images/photos to outline a symbol that fits the mood of the text you want to display. A panda doesn't exactly match the sentiments of the poem, but who knows what some students may think of when given the opportunity to be creative?

Till my next experiment then!